MediaSilo Blog (16)

Ester Kim, Set Decorator

Featuring tufted velvet seats, white linen tablecloths, and wood paneling throughout, Taylor’s  →

3 Negotiation Tactics for Freelancers

Whether it’s debating with your kid about who’s going to take out the trash or Congress arguing  →

Joseph Fraioli, Sound Designer

The first thing you see at Jafbox, Joseph Fraioli’s studio in West Los Angeles, is a modular synth.  →

How to Protect Your Film and TV Productions On Set and Beyond

With so much media production now taking place digitally, it’s easy to lose sight of the analog  →

Disinformation Breakdown: What Brands (and Democracies) Need to Know

Courtesy of Nike Brands deal with customer feedback online every day, much of it negative. But  →

Psst, Marketers! Video Production Doesn’t Have to Be Expensive

Make ‘em laugh. Make ‘em think. Make ‘em proud. Which ever way they craft their appeals, content  →

Emotion First: Lindsay Utz, Documentary Editor

Ask any documentary director worth their salt where films really get made and they’ll confess: the  →

Editor Michael Taylor on Finding the Melody of a Film

Last month at Brooklyn’s Made in NY Media Center by IFP, Scott Macaulay, editor-in-chief of  →

A Cursed Shoot with an Angelic Crew and Actors

A few days before we shot Father Figurine, I sat down for an interview with Austen, who was helping  →

Never Not Thinking About Film: A Conversation with Matt Wolf

Less than a mile from the Whitney Museum of American Art in New York City sits the Stonewall Inn,  →

How 4 Filmmakers Used the Shift Creative Fund to Tell Their Stories

Producers Brendan and Garrett Christian Hall look on at director Jonathan Langager during the Shift  →

Los Angeles Gives 3-D New Depth

“There’s a tendency to think that 3-D is best used for spectacle,” Eric Kurland tells me as we  →