Close-Ups (2)

When It Works, It’s Not Work: Gary Dollner, Editor of Fleabag

After being shut out in 2017, the second season of Fleabag swept all the major awards this year,  →

Editor Liza Cardinale: From Backstage Tapings to an Eddie Nomination

Liza Cardinale is an in-demand editor for shows like Outlander, Orange Is the New Black, and  →

Lamar Abrams, Storyboard Artist

Step into an indie comics convention, and you might find someone like Lamar Abrams. Unlike the  →

Race to the Top: Andrew Buckland on Editing Ford vs. Ferrari

Hot off wins for Best Film Editing at the Oscars, BAFTAs, and Eddies, Andrew Buckland has had a  →

Comedy and Controversy: Tom Eagles, Editor of Jojo Rabbit

Who would’ve thought that a satire about a little boy with an imaginary friend (who happens to be  →

Cutting Like Crazy: Manufacturing Madness with Jeff Groth, Editor of Joker

Joker netted eleven Academy Award nominations this year, including Best Film Editing. We spoke with  →

Eric Kissack: Luck-Maker, Risk-Taker, Laugh-Generator

Eric Kissack manufactures luck. Throughout his career as an editor and increasingly as a director,  →

Night Dreamer Conjures an Otherworldly Collaboration

Meet Night Dreamer: the nocturnal duo that’s a brand-new collaboration between guitarist Jeff  →

Lauren Taylor, Location Coordinator

Lauren Taylor knows that the success of a movie or TV shoot can hinge on the tiniest details. The  →

Matt Davies, Foley Artist

Alongside script gal or clapper boy, Foley artist is one of those job titles that conjures up 1930s  →

Accidental Influencers: Aida Mollenkamp & Kristen Kellogg

The travel industry has shifted significantly in recent years, with the Internet and social media  →

Joel Snyder, Audio Describer

The fab five on Queer Eye were talking so fast, it forced me to turn on captioning, which turned  →